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Henri Matisse 1869-1954 (After), "La Vis" Framed Limited Edition Lithograph with Certificate of Authenticity.
Item #263118

$1,600.00
Add To Cart

Medium
lithograph

Dimensions
25 x 35.5
x

QART.COM CUSTOM FRAMING SERVICES


What you can expect:

• Personal Service
• Professional design options
• Exceptional quality


The process:

We will email suggestions. You can request further options and make special requests.

Only acid free materials contact the art for long term preservation. Paper works are framed with plexi.

Canvas works are typically framed without plexi so that the vibrancy and interaction with light can be best appreciated.


Framing may be cancelled at any point before actual framing work begins.

Quality Guarantee. You may return your item for a refund within 15 days (excluding shipping).


Feel free to contact us with any questions you may have on this service!


No additional charge for shipping. Alaska and Hawaii addresses will have a higher rate which you can see in your cart by the "custom frame it" option.

"La Vis" is a limited edition lithograph by Henri Matisse (1869-1954). This piece comes from an edition of 200 authorized by the Matisse Estate; the edition number is not on the piece itself but on the certificate. This piece comes custom framed. Includes Certificate of Authenticity. Measures approx. 31" x 41.5" (frame), 25" x 35.5" (image).
 
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Henri Emile Matisse (1869-1954) is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.

The intense colorism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauves (French for "wild beasts"). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasized flattened forms and decorative pattern.

In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of his work during the 1920s gained him critical acclaim as an upholder of the classical tradition in French painting. After 1930, he adopted a bolder simplification of form. When ill health in his final years prevented him from painting, he created an important body of work in the medium of cut paper collage.

His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art.

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